THE PROGRAMME

Tuesday 19th September

VENUES
09:00 to 09:30
09:30 to 10:00
10:00 to 10:30
10:30 to 11:00
11:00 to 11:30
11:30 to 12:00
12:00 to 12:30
12:30 to 13:00
13:00 to 13:30
13:30 to 14:00
14:00 to 14:30
14:30 to 15:00
15:00 to 15:30
15:30 to 16:00
16:00 to 16:30
16:30 to 17:00
17:00 to 17:30
17:30 to 19:00
19:00 to 20:00
BELLAS ARTES
PAINTINGS

The Three Ps in a sustainable practice: Persistence, patience, and perseverance

Amber Kerr
PAINTINGS

Thinking of the big picture: A practical solution for matt paint consolidation of large-scale Southeast Asian banner paintings at the Walters Art Museum

Karen French
PAINTINGS

Frans Pourbus and Louis XIII at LACMA: A possible early example of an artist transfer

Gerrit Albertson
Coffee
PAINTINGS

Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity

Karolina Soppa
PAINTINGS

Assessment of acidity and salinity of hydrosensitive painted surfaces: Reliable pH and conductivity data for designing cleaning strategies and scientific models

Elena Aguado
PAINTINGS

Nanomechanics of linen canvases treated with novel nanocellulose-based materials

Ida Høj Madsen
Lunch
PAINTINGS

Recycling: The materials of Jan Schoonhoven’s reliefs

Inez van der Werf
PAINTINGS

Richard Bergh’s “Konstnärsforbundets styrelse”: Painting techniques in a contemporary context and their impact on conservation

Luis Fernando Cáceres Jara
PAINTINGS

Selective cracks: Mapping damage from pigment-medium interaction in three neoplasticist oil paintings

Laura Fuster-López
Coffee
PAINTINGS

Monitoring the deformation of a historic 16th-century wooden panel painting: Effect of the frame, cradle and microclimate variations

Delphine Jullien
PAINTINGS

From purple to brown: Using degradation products in reconstructions of a complex smalt paint mixture in ‘The Night Watch’ to study color change

Jessica Carter
PAINTINGS

Planning Session

VENUES
09:00 to 09:30
09:30 to 10:00
10:00 to 10:30
10:30 to 11:00
11:00 to 11:30
11:30 to 12:00
12:00 to 12:30
12:30 to 13:00
13:00 to 13:30
13:30 to 14:00
14:00 to 14:30
14:30 to 15:00
15:00 to 15:30
15:30 to 16:00
16:00 to 16:30
16:30 to 17:00
17:00 to 17:30
17:30 to 19:00
19:00 to 20:00
AGRÓNOMOS
GRAPHIC DOCUMENTS

Permanently bright? Predicting light-induced changes in white paper: Preliminary results

Marie Kern
GRAPHIC DOCUMENTS

The use of enzymatic gels in the conservation treatment of Mendelssohn’s “Green Books”

Celine Delattre
GRAPHIC DOCUMENTS

Digitisation of art on paper: Attempting to represent materiality in the works of Ray Howard-Jones, a 20th century female Welsh artist

Fiona Mc Lees
Coffee
GRAPHIC DOCUMENTS

Original or fake? Investigating the provenance of a historic map

Jasna Malešič
GRAPHIC DOCUMENTS

Planning Session

Lunch
DOCUMENTATION

Planning Session

DOCUMENTATION

Non-invasive imaging systems as tools for evaluating treatments: The case of ‘Bathers’ by Henri Matisse

Annette Ortiz Miranda
DOCUMENTATION

Reconstructing silk textiles with a 3D virtual loom

Mar Gaitán
Coffee
DOCUMENTATION

Re-contextualisation of museum objects using 3D scanning technology for rematerialisation, simulation and extended reality applications

Rashmi Gajare
DOCUMENTATION

Display and utilization of X-ray computed tomography data from the Sword of Liao, King of Wu

Yan Wen
VENUES
09:00
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09:30
09:30
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10:00
10:00
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10:30
10:30
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11:00
11:00
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11:30
11:30
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12:00
12:00
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12:30
12:30
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13:00
13:00
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13:30
13:30
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14:00
14:00
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14:30
14:30
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15:00
15:00
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15:30
15:30
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16:00
16:00
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16:30
16:30
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17:00
17:00
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17:30
17:30
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19:00
19:00
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20:00

  PARANINFO 
 
PREVENTIVE CONSERVATION

The road to a national plan for sustainable preservation and care of collections in Denmark

Jesper Stub Johnsen
 
 
PREVENTIVE CONSERVATION

Developing a collection center facility in Vestland, Norway: Challenges and perspectives

Natalija Cosic
 
 
PREVENTIVE CONSERVATION

A climate balancing act: Negotiating environmental conditions for loans between different climate zones

Margarita Villanueva
 
 Coffee 
 
PREVENTIVE CONSERVATION

Updating the Netherlands’ Archives Act: Regulations and sustainability

Gabrielle Beentjes
 
 
PREVENTIVE CONSERVATION

The necessity for new climate guidelines for cultural heritage in South Korea

Seojin Kim
 
 
PREVENTIVE CONSERVATION

Reviewing processes, relaxing parameters: On-collection climate research at the Kunstsammlung Nordrhein-Westfalen

Nina Quabeck
 
 Lunch 
  
  
 
PREVENTIVE CONSERVATION

A comparison of preservation metrics expressing mechanical, chemical and biological damage

Annelies Cosaert
 
 
PREVENTIVE CONSERVATION

Ambient temperature and humidity field simulation for environmental monitoring of museum exhibition spaces

Ming Tang
 
 
PREVENTIVE CONSERVATION

Opto-technical monitoring and hygrothermal simulation of cultural heritage as a tool for identifying critical climate change-related relative humidity inside buildings

Kristina Holl
 
 Coffee 
 
PREVENTIVE CONSERVATION

Developing a free web-based tool using the ABC Method to support sustainable risk management of cultural heritage

Carla Coelho
 
 
PREVENTIVE CONSERVATION

Modelling and rapid assessment of risks to contemporary art collections displayed in non-museum spaces

Irene Karsten
 
 
PREVENTIVE CONSERVATION

Developing a collection-wide, object-focused risk assessment: From COVID-19 response to comprehensive management tool

Paul Garside
 
 
PREVENTIVE CONSERVATION

Optimising the protection of the Kröller-Müller Museum’s wax-resin-lined van Gogh paintings from shocks and vibrations in transit

Kerstin Kracht
 
VENUES
09:00
to
09:30
09:30
to
10:00
10:00
to
10:30
10:30
to
11:00
11:00
to
11:30
11:30
to
12:00
12:00
to
12:30
12:30
to
13:00
13:00
to
13:30
13:30
to
14:00
14:00
to
14:30
14:30
to
15:00
15:00
to
15:30
15:30
to
16:00
16:00
to
16:30
16:30
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17:00
17:00
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17:30
17:30
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19:00
19:00
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20:00
 

 INFORMÁTICA 
 
SCULPTURE, POLYCHROMY AND ARCHITECTURAL DECORATION

Planning Session

 
 
 
SCULPTURE, POLYCHROMY AND ARCHITECTURAL DECORATION

From digital documentation to conservation strategies: The polychrome architectural paintings of ‘Baolunge’, Anhui, China

Aidi Bao
 
 
SCULPTURE, POLYCHROMY AND ARCHITECTURAL DECORATION

Historical casts as a valuable witness for art historical research and sustainable conservation treatments of sculptures

Judy de Roy
 
 Coffee 
 
SCULPTURE, POLYCHROMY AND ARCHITECTURAL DECORATION

Uncovering forgotten ecclesiastical art: The case of Jérôme Duquesnoy’s polychromed Sacrament Tower

Camille de Clercq
 
 
SCULPTURE, POLYCHROMY AND ARCHITECTURAL DECORATION

Red glazes from brazilwood dye: Findings in late medieval polychromy

Elisabeth Taube
 
 
 
 
 Lunch 
  
  
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Maguey paper manufacture: Reproduction of the pre-Hispanic technique

Itzel Sánchez Alonso
 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Moving toward sustainable conservation: Experience of the Museum of Archeology and Ethnology (MAE-USP)

Ana Carolina Delgado Vieira
 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Sustaining Acoma textile traditions

Marina Kastan
 
 Coffee 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Sustainable conservation of Loong: The world’s oldest processional dragon

Holly Jones-Amin
 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Decolonizing the museum and conservation by revitalizing traditional knowledge and know-how

Lucie Monot
 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Ontology and knowing: A framework for conserving a rare musical instrument within and beyond the archive

Rosie Cook
 
 
OBJECTS FROM INDIGENOUS AND WORLD CULTURES

Planning Session

 
 
VENUES
09:00 to 09:30
09:30 to 10:00
10:00 to 10:30
10:30 to 11:00
11:00 to 11:30
11:30 to 12:00
12:00 to 12:30
12:30 to 13:00
13:00 to 13:30
13:30 to 14:00
14:00 to 14:30
14:30 to 15:00
15:00 to 15:30
15:30 to 16:00
16:00 to 16:30
16:30 to 17:00
17:00 to 17:30
17:30 to 18:00
INGENIERÍA DE EDIFICACIÓN
MURALS, STONE AND ROCK ART

The convergent cleaning and consolidation of a Carrara marble monument

Andrew Thorn
MURALS, STONE AND ROCK ART

Visualizing detachments in the wall paintings in Qutan Temple, Qinghai Province: New technology

Niu Heqiang
MURALS, STONE AND ROCK ART

Techniques of wall paintings in the Sakyamuni Temple, Mangyu, Ladakh

Sreekumar Menon
Coffee
MURALS, STONE AND ROCK ART

Innovating traditional recipes: Sustainable watercolour formulas for retouching wall paintings in the Prince’s Palace of Monaco

Sophie Prévôt
MURALS, STONE AND ROCK ART

Change and continuity: Significance and physical history in the conservation of 16th-century Great Siege wall paintings, Valletta, Malta

Jennifer Herrick Porter
MURALS, STONE AND ROCK ART

Stuck like glue: Wood tar as a medieval stone adhesive

Bettina Ebert
Lunch
MURALS, STONE AND ROCK ART

Three-dimensionality in Palaeolithic cave art: The use of natural rock shapes as an artistic technique and their conservation

Raquel Asiain
MURALS, STONE AND ROCK ART

Planning Session

NATURAL HISTORY COLLECTIONS

Planning Session

Coffee
LEATHER AND RELATED MATERIALS

Natural fungicides: A solution for fungus prevention in the preservation of leather-based cultural artefacts

Nitin Kumar
LEATHER AND RELATED MATERIALS

Five biblical figures on gilt leather: Study, conservation and dating

Celine Bonnot-Diconne
LEATHER AND RELATED MATERIALS

Modular gravity-based suspension system for gilt leather wall hangings

Godried Brands
LEATHER AND RELATED MATERIALS

Planning Session