POSTERS

Working Group list

Working Group, author name and title of accepted POSTERS for the Triennial Conference.

Please note that this list may change as contributions are finalized.
The list is organized by Working Group and not by order of presentation. The conference program will be provided in due course.

Archaeological Materials and Sites

  • Archaeometric studies on pot sherds from Pre Harrapan site located at Kunal in Haryana, India KUMAR Dharini, Satish Pandey
  • Beyond cleaning treatments: Evaluation of their influence on archaeological bone and taphonomic studies. VALTIERRA PEREIRO Noé, Lloyd Courtenay, Lucía López-Polín
  • Khufu first boat transportation to the Grand Egyptian Museum An integrated approach about museum objects sustainability HAMZA Nagmeldeen, Atef Moftah, Eissa Zidan
  • When archaeological documentation replaces the originals The paintings of the chapel of the palace of Mari in Syria About 2200 BCE COURAL Natalie
  • Working Towards a Sustainable Heritage Past: Mitigating the Effects of Climate Change on the Coastal Monuments in Kenya OGEGA Julias Juma, Dr. Fredrick Kyalo Manthi (PhD), June Wanjiku Ruthuku, Millicent Ochieng’, Wycliffe Oloo Omondi

Art Technological Source Research

  • Between past and future: towards the preservation of madder colours using historically accurate reconstructions OTERO Vanessa, Artur Moro, Maria João Melo, Tiago Veiga
  • Engaging museum visitors with colour materiality: the 19th-century Colour Revolution through the lenses of MA-XRF GHIGO Tea, Colin Harrison, Daniel Bone, Jane Cockroft, Kelly Domoney, Matthew Winterbottom, Tea Ghigo
  • The Consortium for the Research of Artists’ Materials Archives (CAMA) VAN DEN BERG Klaas Jan
  • The threads of the past weaving the future: exploring the Portuguese and French wool dyeing recipes from the 18th century NABAIS Paula, Dominique Cardon, Mara Santo, Mila Crippa, Rita Salvado

Documentation

  • Image Analysis of Past and Present seen in Tutankhamun’s Collar SHORBAGY Mohamed Ragab Ibrahim, Enas Mohamed, Hasnaa Abdrabbo, Hussein Kamal, Midori Yokoyama, Mie Ishii, Mohamed Ayad
  • Knowledge and immortality of heritage through digital surveying: application of photogrammetry and laser scanning to assets with tower typology MOLINA SÁNCHEZ Susana
  • The Complexity of 2D and 3D Digitalization in Cultural Heritage HADJIATHANASIOU Maria, Elena Karittevli, Elina Argyridou, Iliana Koulafeti, Ioannis Panagi, Kyriakos P. Efstathiou, Marinos Ioannides, Panayiota Samara
  • The Roofs Of Dubrovnik: A Memory Of The Adriatic Perl KOJAN GOLUZA Kristina, Alexandra Jeberien, Vasilija Jovanovic

Education and Training in Conservation

  • An act of Change through implementing Disaster Risk Management Training for achieving Sustainable Development goals in Asian Museums SHARMA Deepakshi, Masoud Nakhaei, Sana Durrani Rizwan
  • Constructing visible learning trajectories in the revision of the University of Amsterdam’s Conservation programme. STOLS-WITLOX Maartje, Arno Witte, Ella Hendriks, Evelyne Snijders, Ilja Boor, Kate van Lookeren Campagne, Lydia van der Meij, Maarten van Bommel, Sandra Cornelisse
  • ICOM’s solidarity project “Training the trainers” in the Museum of Christian Art, Goa REIS Ana Teresa, António Candeias, Frazer Andrade, Glen Fernandes, Natasha Fernandes, Noah Fernandes, Priti Carvalho
  • The Dutch Method Unfolded, 2022 achievements and future perspectives FROMENT Emilie, Ella Hendriks, Esther Van Duijn, Melissa Daugherty Daugherty
  • The role of fieldwork in the archaeological conservator training: skills gain and employability enhancement LÓPEZ-POLÍN Lucía
  • Training students conservators to field reality – a sustainable approach of professional life CHASSAING Pauline, Amélie METHIVIER, Pauline ROBAT

Glass and Ceramics

  • Application of FDM and LCD printing technologies in the conservation and restoration of porcelain ZHOU Yang, Yang Zhou
  • Conservation treatment of flooded porous ceramics from Belgium EL OUAHABI Meriam, Catherine Cools
  • Differences in conservation pedagogy between the east and the west with two case studies from UCL postgraduate education and the Palace Museum apprenticeship training QIN Daran
  • Into the fire and out again, challenges of a cross-institutional technical study of historic porcelain during a very modern age BARACK Sarah, Jessica Walthew, Thomas Lam
  • Preventive conservation and cleaning of the medieval ceramics collection of Manuel González Martí at the National Museum of Ceramics and Sumptuary Arts (MNCV) TOMÁS Ana, Ana Tomás-Hernández, Carolina Mai Cerovaz, Inma Félez Bernad, Laura Osete Cortina, María Isabel Justo Fernández

Graphic Documents

  • Conservation Treatment of a Watercolour with Salt Crystal Formations WOOD Katherine, Lorraine Leung, Suati Rojas
  • Lining laced letterpress leaves: a treatment methodology for George King Correspondence Papers at the State Library of New South Wales LAWLER-DORMER Keyeele, Hoa Huynh
  • The FRIABLE project and the investigation into the layer build-up and fragility levels of friable media drawings: the case-study of Léon Spilliaert’s Spring SAUVAGE Leila, Alison Grotz, Estelle Van Geyts, Inga Rossi-Schrimpf, Juliette François, Lieve Watteeuw, Lise Vandewal, Marie-Noëlle Grison, Marjolijn Debulpaep

Leather and Related Materials

  • A 16th century instrument to damask leather: from Månsson’s drawing to the prototype MORETTI Federica, Mara Nimmo, Mariabianca Paris, Marina Marchese

Metals

  • Corrosion in Soil: Investigation on Archaeological Iron Artifacts BRAMBILLA Laura, David Mannes, Elodie Granget, Mahdieh Shakoorioskooie, Myriam Krieg, Ocson Cocen, Pierre Blanc
  • Evaluation of the corrosivity of plastics for metals in scientific and technical collections CANO Emilio, Blanca Ramírez Barat, Joaquina Leal, Maria Matesanz, Maria Teresa Molina
  • Inputs of scientific conservation researches in case of the de-restoration of an Islamic metal ewer TIMBART Noelle, Anne Maigret, Carine JUVIN, Chloé PAILLARD, Christine PARISELLE, Elsa LAMBERT, Manuel LEROUX, Nathalie BALCAR, Yvan COQUINOT
  • Mysteries from the Depths (of Your Collections): unlocking the full potential of archaeological artifacts in museums HAINES Lesley
  • Sustainability at all Scales MCGATH Molly, Elsa Sangouard
  • Vulture-Goddess (Nekhbet) Collar of Tutankhamun: Integrated Diagnostic Techniques for Understanding of the Manufacture Technology and Reconstruction ELMARAZKY Abdelaziz, Ahmed Abdrabou, Hussein Kamal, Nesrien Kharboush

Modern Materials and Contemporary Art

  • Energy-Saving Results of the Treatment of Time-Based Media Artwork Tall Ships by Gary Hill OWENS Samantha, Ben Fino-Radin
  • The installation instructions as a sustainable tool for the conservation of the immaterial aspects of the installation Marulho, by Cildo Meireles MARQUES STELZER Karoline

Murals, Stone, and Rock Art

  • Occurrence and control of the darkling beetles deterioration (Coleoptera: Tenebrionidae) in Dunhuang Mogao Grottoes FEIQING Zhu, Chen Zhang, He Dongpeng, Li Long, Wu Fasi, Xu Ruihong
  • Preventive conservation protocol for street art in Ripollet (Barcelona) GASOL Rosa
  • Pyrite Decay in the “Posidonienschieferwand” of the Stuttgart Parliament GASCÓ MARTÍN Cristina
  • The impact of no rain on the surface properties of petroglyphs on Murujuga in the Burrup peninsula in the Pilbara, Western Australia MACLEOD Ian Donald, Warren Fish

Objects from Indigenous and World Cultures

  • Forgotten Indigenous Remains in University-Museum Collections: The Shift from Reaction to Action WATTS Amanda, Dyana DeCoteau Dyess
  • Indigenous writing systems around Aymara and Quechua pictographic and sign catechisms on leather and paper (historical, iconographic analysis, state of conservation and value) RIOJA MONTAÑO Greby Uriel, Greby Uriel Rioja Montaño
  • Sustainable preventive conservation of saponified associated materials from grave 111 of the Franco dictatorship from Paterna cemetery using essential oils to control biological risk. BOSCH-ROIG Pilar, Albert Costa, Carolina Mai-Cerovaz, Nuria Gil Ortuño

Paintings

  • Eukaryotic organisms and paintings on canvas as suitable habitats for their development: Boric acid under scrutinyEukaryotic organisms and paintings on canvas as suitable habitats for their development: Boric acid under scrutiny OLIVEIRA URQUIRI Haizea, María del Pilar Bosch Roig, Susana Martín Rey, Victoria Vivancos Ramón
  • Investigations into the Materials and Techniques of Årdal Church Wall Paintings GEBREMARIAM Kidane Fanta, Anne Ytterdal, Tone Marie Olstad
  • Konjac/xanthan binary mixture hydrogel for the cleaning of water-sensitive modern oil paintings OKUYAMA Momoko
  • Large Format Historical Painting Restoration Project for the reopening of the Museu Paulista Museum at the University of São Paulo – Brazil. CARVALHO Raul
  • Liquid Methylcellulose foam – An innovative adhesive-filler for lifted stiff paint flakes based on a case study using La Salle des Cariatides au Louvre, 1921, by Edouard Vuillard RITLER Magdalena, Angela Eysler, Karolina Soppa, Nadim Scherrer
  • The “Ehrenfelder Klammer” for the non-destructive attachment of backing boards on the wooden stretchers of paintings without decorative frames DEMUTH Petra
  • The different phases/ faces of Mary in Saint Luke painting the Madonna- Maarten van Heemskerck. ROEDERS Jessica, Erich Uffelman, mireille te marvelde
  • The narrative of Vilhelm Hammershøi revised. Investigating the artist’s use of cobalt blue, chromium-based green and cadmium yellow PASTORELLI Gianluca, Anne Haack Christensen, Annette S. Ortiz Miranda, Gianluca Pastorelli, Loa Ludvigsen, Pauline Lehmann Banke, Troels Filtenborg
  • Time evolution of mechanical properties and shrinkage of drying oil paints. JANAS Arkadiusz, Arkadiusz Janas, Cecil Andersen, Damien Favier, Laura Fuster-López, Lukasz Bratasz, Marion Mecklenburg, Mikkel Scharff, Patrick Kékicheff, Roman Kozlowski
  • White pigments in watercolor paintings by Josef Lada ŠEFCU Radka, Irena Nývltová, Radka Šefcu, Václava Antušková

Photographic Materials

  • Coatings on photographic materials BAGATIN Martina
  • Documentation and methodological study of photographic heritage prints NIETO VILLENA Alejandra, Álvaro Solbes-García, José R. Martínez, Juan C. Valcárcel-Andrés
  • Removal of ink stains from gelatin silver photographs with rigid agar-agar gel. MASIELLO Ana
  • Standardization of the deteriorations terms into the photographic documents using non-invasive techniques KOKLA Vassiliki

Preventive Conservation

  • An extraordinary community engagement initiative for the preservation of cultural heritage in the Americas: APOYOnline Manos a la Obra HASPO Beatriz
  • Collections on the Move VINJE-CHRISTENSEN Sigrid, Mette Bing Espedal
  • Conserving energy. A multidisciplinary effort towards a sustainable museum climate in the Rijksmuseum VAN DUIN Paul, Brique Sibbing, Ewout Heuker, Gerrit Engberts, Katrien Keune, Lisette Vos, Rianne Luimes
  • Cultural and Professional Sustainability in Jondishapour Museum of Trade History FOROOZANPOUR Sahar, Khosro Roodani
  • Dangerous heritage: a study on safeguarding asbestos in museum collections BAUVOIS Stefanie, Romy Ruigrok, Sanne Wynants
  • Insights on some wrapping materials used for some plastic objects BALCAR Nathalie, cloé brun, maroussia duranton, nathalie balcar
  • Sustainable strategy for the conservation of scenic heritage. Albums: An integrated project of research, mediation, digitization and conservation. Bélgica Castro and Alejandro Sevieking Collection HERRERA Daniela, Cecilia Beas, Daniela Herrera

Scientific Research

  • A breakthrough for the sustainable preservation of celluloid in cultural heritage 3D objects NEVES Artur, Ana Maria Ramos, Maria Elvira Callapez, Maria João Melo
  • A comprehensive study of botanical wet collections conservation issues BRAMBILLA Laura, Elodie Granget, Marion Dangeon
  • A non-invasive X-ray diffraction technique unaffected by sample morphology: illustrating capabilities through the study of the technology and condition of wall painting fragments. HILL Joshua, Austin Nevin, Craig Hiley, Graeme Hansford
  • Development of theoretical models of air corrosion of iron objects from solid-state electrochemical methods DOMÉNECH-CARBÓ Maria Teresa, Antonio Doménech-Carbó, Mara Peiró-Ronda
  • Green strategies to conserve the past and preserve the future of cultural heritage (GoGreen) KEUNE Katrien, Arianna Traviglia, Austin Nevin, Caitlin Southwick, Claire Betelu, David Thickett, Edith Joseph, Joel Taylor, Loic Betrand, Maartje Stols-Witlox, Marco Mauri, Silvia Prati
  • Investigating the materials and techniques used in traditional miniature paintings of Rajasthan CHARI Celia, Anjali Jain, Georgina Rayner, Jinah Kim, Katherine Eremin, Narayan Khandekar
  • Long-term behavior testing and characterization of sustainable and waste-renewable 3D printing materials for art preservation HIGUERAS María, Ruth Chércoles, Sonia Santos
  • Model system development for the in-situ monitoring of metal soap protrusions DUIVENVOORDEN Jorien, Donata Magrini, Francesca Rosi, Georgios Karagiannis, Haida Liang, Jana Striova, Katrien Keune, Piotr Targowski
  • The Greener Solvents Project – a Sustainability in Conservation initiative FIFE Gwendoline, Annalisa Marra, Izabella Gill-Brown, Karoline-Sofie Hennum, Lisa Clifford, Rosie Grayburn
  • Visualising the interior and exterior of art objects in 3D through combining X-ray Computed Tomography scans and surface scans BOSSEMA Francien, Daniel O’Flynn, Erma Hermens, Joanne Dyer, Joost Batenburg, Paul van Laar, Suzan Meijer, Tristan van Leeuwen

Sculpture, Polychromy, and Architectural Decoration

  • Conservation of 19th century polychrome plaster Stations of The Cross Overpaint removal challenges and treatment development JITARESCU Alis, Adam Godijn, Dr Elizabeth Carter, Julian Bickersteth
  • How to deal with salt contamination? The case study of the Asyut dog of the Museum of the Louvre (E 11657) TIMBART Noelle, Anne MAIGRET, Hélène GUICHARD, Marc ETIENNE, Nathalie BALCAR, Olivier ROLLAND, Philippe BROMBLET, Sophie DUBERSON, Véronique VERGES-BELMIN, Yannick VANDENBERGHE
  • Study and Conservation and Restoration of 16th century stucco polychrome relief from Museu Nacional de Arte Antiga MARTINS Joana, Conceição Ribeiro, Maria João Vilhena

Textiles

  • Applicability of Darning Stitches in Textile Conservation ZHANG Mengying, A.F. (Ana) Albano Serrano, M.E. (Marjolein) Homan Free
  • Historical textile repair revisited: the continuation of stitches as living heritage in Japan’s kimono restoration ISHII Mie, Naomi Yoda, Yoshimi Shiroyama
  • Innovations in Mount-Making for Textile Display and Preservation for the King Tutankhamun’s Textiles YOSRI Mohamed, Hend Yassin, Menna Allah Mohamed, Midori Yokoyama, Mina Shibata, Sarah Ismael

Theory, History, and Ethics of Conservation

  • A conservator as an art doctor: the roles of medical metaphors in conservation OKAWA Yuka
  • A Road Map Towards a Global Infrastructure for Heritage Science GRISON Marie-Noëlle, Annelena De Groot, Gadis Fitriana Putri, Glennis Rayermann, Maria Laura Petruzzellis, Tamar Hestrin-Grader
  • Digital Humanities for the conservation of Cultural Heritage GALÁN Ana, Stefano Magnolo
  • From the Conservator’s Perspective – a series of conservators’ displays at the Fryderyk Chopin Museum DLUGOSZ-JASINSKA Diana
  • Hybridization as an example of economic sustainability – A Case study on the Finnish Music Museum Fame LAUKKOSKI Helena
  • Smells with cultural value: how to recognise and protect this heritage at risk? BEMBIBRE Cecilia, Alison Heritage, Inger Leemans, Jane Henderson, Matija Strlic, Nancy Bell, Sophie Elpers
  • The Regulation Process of the Profession of Conservation-Restoration of Cultural Heritage in Brazil through the 1183/2019 bill: history, ethics and engagement LÚCIO DE SOUSA Gabriela, Carolina Kramm Lewandowski, Lupehuara Zevallos, Maria Luisa Ramos de Oliveira Soares, Mariana Onofri

Wet Organic Archaeological Materials

no presentations

Wood, Furniture, and Lacquer

  • “Australian Treasure from Europe; conservation treatment of a Medieval Episcopal Throne, XIV century.” DABROWA Barbara, Grzegorz Dabrowa
  • A New insight into the investigation of materials and manufacturing techniques used in painted wooden Bastet statue from the late period MOUSTAFA Mohamed
  • Changes in the composition of Asian lacquer film mixed with drying oil after ultraviolet irradiation PARK Jongseo, Arlen Heginbotham, Herant Khanjian, Michael Schilling
  • THE MOCK UP, a complementary element to understand the mechanical behavior of cradled panels paintings. VERSCHUEREN Norman, Delphine Jullien, Jean-Christophe Dupré, Meriam El Ouahabi